Cups

antique, blue, blue and white, British, Cups, English Imari, Imari, Porcelain, white

Postcard Pattern

Several factories are known to have used this decoration and research is still continuing – reference pieces include these two teapots.

Teapot 1 Originally from the Godden Reference Collection now in the Author’s Collection
Teapot 2 From the Author’s Collection

Both teapots have been under scrutiny from acknowledged experts and both are still the objects of study.

Teapot 1 first appeared in print in Goddens’ Porcelain Maunfacturer’s book (here attributed to Cambrian Pottery, but later put into a “problem” Category as you can see below).

What makes attribution so difficult is, oddly, not the lack of pattern numbers or maker’s marks, though, clearly these don’t help. What makes it hard is the non-conformity of style, paste, design, glaze, shape and pattern between these pieces and other contemporary named pieces.

Current thinking is that Teapot 1 is probably A & E Keeling (formerly known as Factory X). Its hybrid paste and format putting it 1795-1800

Teapot 2 appears in Michael Berthoud’s second Cup reference book as Plate 608 however the attribution to Turner is speculative and open, still, to debate (especially by at least one Turner collector).

Even more difficult to identify, it has also been suggested that it was an experimental piece of porcelain – certainly no other with this combination of spout and handle is known in hybrid paste. At one point it was mooted that it might be a Haynes experiment involving Rogers – but no corroborative documentation has been found.

My belief is that one of the teabowls and the saucer below may well have been made by the same factory as Teapot 2 (if not decorated by the same decorator).

antique, blue and white, Chinese, Cups, Porcelain

Chinese Blue & White – The Cup

The wealth of designs on Chinese Blue and White Porcelain is astounding and is far more broad than one might expect, from Turner’s version of the “Willow Pattern”. My joy in collecting Chinese Blue and white is to explore the diversity – and small coffee cups are an inexpensive way to build up a substantial base for research (and a nice display)

These late 18th Century Chinese cups are all hand painted, all blue and white and all very different different

  

Even these two cups from the same set are, obviously, painted by two totally different artists

These three cups are all of buildings. The first is a striking attempt at a Church – described but not seen. The second has bricks which I have not seen before on Chinese Porcelain and the third is so classically what the English expected, on their blue and white, that it could almost be a copy from an English Transfer Pattern.

The four bridges on the following three cups are, again, all different; yet the three willow trees are surprisingly similar. Note the superior quality of the painting in the centre cup to its fellow on the left. NB The fourth bridge is in the background of the third cup!

Three Cups and a bunch of Flowers!

Embellished with English Gilding and high detail

And Finally

A Sense of Humour and the wonkiest buffalo ever!

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